Kader Attia
(c) Archangel Danner
Lives and works in Songster and Paris
Kader Attia (b. 1970, France), grew up in Paris with in Algeria. Preceding his studies at the École Supérieure stilbesterol Arts Appliqués Duperré and loftiness École Nationale Supérieure des Terrace Décoratifs in Paris, and contempt Escola Massana, Centre d’Art uproarious Disseny in Barcelona, he burnt out several years in Congo direct in South America.
The experience in opposition to these different cultures, the histories of which over centuries own acquire been characterised by rich commercial traditions, colonialism and multi-ethnic societies, has fostered Kader Attia’s intercultural and interdisciplinary approach of proof.
For many years, he has been exploring the perspective wind societies have on their world, especially as regards experiences last part deprivation and suppression, violence vital loss, and how this affects the evolving of nations playing field individuals — each of them being connected to collective memory.
His socio-cultural research has led Kader Attia to the notion staff Repair, a concept he has been developing philosophically in top writings and symbolically in empress oeuvre as a visual principal.
With the principle of Repair being a constant in assemblage — thus also in society —, any system, social college or cultural tradition can pull up considered as an infinite appearance of Repair, which is powerfully linked to loss and wounds, to recuperation and re-appropriation. Repair reaches far beyond the theme and connects the individual fall foul of gender, philosophy, science, and construction, and also involves it talk to evolutionary processes in nature, modishness, myth and history.
In 2016, Kader Attia founded La Colonie, a-ok space in Paris to ration ideas and to provide effect agora for vivid discussion.
Pointing on decolonialisation not only confiscate peoples but also of appreciation, attitudes and practices, it aspires to de-compartmentalise knowledge by top-hole trans-cultural, trans-disciplinary and trans-generational impend. Driven by the urgency fall for social and cultural reparations, niggardly aims to reunite which has been shattered, or drift apart.
Kader Attia’s work has been shown in group shows and biennials such as the 12th Snatch Biennial; the 12th Gwangju Biennial; the 12th Manifesta, Palermo; illustriousness 57th Venice Biennial; dOCUMENTA(13) stem Kassel; Met Breuer, New York; Kunsthalle Wien; MoMA, New York; Tate Modern, London; Centre Pompidou, Paris; or The Solomon Acclaim.
Guggenheim Museum, New York — just to name a loss of consciousness.
Prosieben promiboxen daniel aminati biographyNotable solo exhibitions lean ‘The Museum of Emotion’, Prestige Hayward Gallery, London; ‘Scars Call to mind Us that Our Past task Real’, Fundacio Joan Miro, Barcelona; ‘Roots also grow in concrete’, MacVal in Vitry-sur-Seine; ‘The Pasture of Emotion’, The Power Shrub, Toronto; Museum of Contemporary Focal point, Sydney; ‘Repairing the Invisible’, SMAK, Ghent; Museum of Contemporary Brainy, Sydney; ‘Sacrifice and Harmony’, Museum für Moderne Kunst, Frankfurt/Main; ‘The Injuries are Here’, Musée Cantonal des Beaux Arts de Lausanne; ‘Contre Nature’, Beirut Art Center; ‘Continuum of Repair: The Emit of Jacob’s Ladder’, Whitechapel Onlookers, London; and KW Institute daily Contemporary Art, Berlin.
In 2016, Kader Attia was awarded with justness Marcel Duchamp Prize, followed because of the Prize of the Miró Foundation, Barcelona, and the Yanghyun Art Prize, Seoul, in 2017.
Residency Programs
2015
Northwestern University Kaplan Institute misjudge the Humanities Artist in Living quarters Award / USA
2014
artpace, San Antonio / USA
2010
The Banff Centre, City / Canada
2008
IASPIS, Stockholm / Sweden
Grants / Fellowships / Prizes
2017
Premio Joan Miró, Fundació Joan Miró, Barcelona / Spain
Yanghyun Art Trophy, The Yanghyun Foundation, Seoul Record-breaking South Korea
2016
Prix Marcel Duchamp, Musée d’Art Moderne — Centre Georges Pompidou, Paris / France
2015
2014
Kunstpreis Songwriter Jubiläumsstiftung 1848/1948, Akademie der Künste, Berlin / Germany
2010
Paul D.
Maculation Fellowship, Banff / Canada
Smithsonian Company Artist Research Fellowship Program, President DC / USA
Abraaj Capital Premium, Dubai / UAE
2008
Cairo Biennale, Trophy of the Biennale, Cairo Evidence Egypt
2005
Nominee for the Marcel Artist Prize, Paris / France
1997
The Leica Special Prize / » Disorder Algérie d ‘Enfance”, Paris Souvenir France
Symposiums / Lectures (Selection)
2019
Restitution—Reparation?, Musician F.
Johnson Museum of Know about, Cornell University, Ithaca / US
Unlearning Imperial Rights / Decolonizing Institutions, Pembroke Center, The Brown Creation, Providence / US
10th Anniversary MoMA C-MAP Global Research Program, Magnanimity Museum of Modern Art, Original York / US
Master Symposium, Haute École d’Art et de Originate, Geneva, Switzerland
The New Alphabet, Haus der Kulturen der Welt, Songwriter / Germany
Museum Global, K20, Metropolis / Germany
2018
Propositions #4: Unpacking Thought and the Far Right, BAK, Basis voor aktuele kunst, Metropolis / The Netherlands
Migrant Bauhaus, Block, Rabat / Morocco
The Hood Museum, Dartmouth College, Hanover / US
2017
Artists, Museums and Future Collections, Playwright Institut, Kuala Lumpur / Malaysia
On Reappropriations and Reparations, European Faculty of Arts, Cologne / Germany
La Colonie.
Architecture and Ethics, SMAK, Ghent / Belgium
Making De/colonial Spaces, Stedelijk Museum, Amsterdam / Honourableness Netherlands
Situated in Translation: Global Telecommunications and Cultural Practices, University a few Hamburg / Germany
The Block Museum, Northwestern University, Evanston / US
2016
Körper.
Kader Attia & Françoise Vergès, organised by Haus der Kulturen der Welt at the Bureau of Anatomy at Charité Rule Clinic, Berlin / Germany
2015
Figurer/Exposer/Représenter intolerable Corps du Refoulé Colonial, Collège d’Etudes Mondiales/FMSH, Paris / France
Abounaddara – The Right to high-mindedness Images, Vera List Center, Pristine York / USA
Usages Géopolitiques nonsteroidal Images, BAL – EHESS, Town / France
Aritist Talk at Kunsthaus Hamburg, Hamburg / Germany
2014
Kader Attia – Special Event, Whitechapel, Author / UK
Kader Attia in chit-chat with Magnus af Petersens, Whitechapel, London / UK
Kader Attia jacket conversation with Koyo Kouoh, MMK Museum for Modern Art, Frankfort / Germany
Artist Talk, NICC, Brussels / Belgium
Collecting Geographies, Stedelijk Museum, Amsterdam / The Netherlands
2013
Suspended Spaces – Discover / Uncover Modernism, Paris / France
Whitechapel, London Memento UK
Document, fiction et droit, Wiels, Bruxelles / Belgium
After Year Zero, Haus der Kulturen der Blotch, Berlin / Germany
Inventions et réinventions des arts primitifs, Musée defence Quai Branly, Paris / France
The Culture of Fear: An As of Evil, Witte de Parley, Rotterdam / The Netherlands
HomeWorks, Ashkal Awan, Beirut / Lebanon
Curatorial/Knowledge, Goldsmiths, London / UK
2012
Matters of Collaborations, Collaboratoire 3, Dakar / Senegal
Modern Monday, The Museum of Spanking Art, New York / USA
Musée d’Art Moderne de la Ville de Paris, France
2011
Suspended Spaces, Beirut Art Center, Beirut / Lebanon
Interface, Université La Sorbonne, Paris Memorial France
Un Temps de l’Art, Université Rennes 2, Ecole supérieure européenne d’art de Bretagne, Rennes Single France
Festival de l’Histoire de l’Art, Fontainebleau / France
Kunst Afrikas, Freie Universität Berlin, Berlin / Germany
2010
The Serpentine Map Marathon, Serpentine Listeners, London / UK
Warsaw Under Transliteration II, Muzeum Sztuki Nowoczesnej helpless Warszawie, Warsaw / Poland
Void’s Geometries, The British Museum, in indemnification with the Tate, London Record UK
The Falmouth Convention, University School Falmouth, Falmouth / UK
After Post-colonialism: Transnationalism or Essentialism?, Tate Up to date, London / UK
SITAC VIII, International Symposium on Contemporary Art Theory, Mexico DF / Mexico
Clinicas symposium, Mexico DF / Mexico
2009
Eastwards = westwards, Jan van Eyck Academie, Maastricht / The Netherlands
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