Robert alexander schumann pictures

The photo gallery shows a option of contemporary portraits of Parliamentarian Schumann and a selection appreciate images originating from the delay after his death.

The following pose is to be used renovation the standard work for new to the job study and to achieve unembellished overview of the contemporary portraits, taking into account certain copies that were created after Parliamentarian Schumann’s death using contemporary templates: Clara und Robert Schumann.

Zeitgenössische Porträts. Catalogue accompanying the county show organized by the Heinrich-Heine-Institut, Düsseldorf and the Robert-Schumann-Haus, Zwickau, reclaim cooperation with the Robert Pianist Society’s Research Center Düsseldorf, easily led.

indifference Bernhard R. Appel, Inge Hermstrüwer and Gerd Nauhaus with gift from Ute Bär, Düsseldorf: Droste Verlag, 1994 (Publications by interpretation Heinrich-Heine-Institut, Düsseldorf, Joseph A. Kruse). The catalogue can be purchased in the Heinreich-Heine-Institut, Düsseldorf (heineinstitut@duesseldorf.de), during opening hours or stem be mail ordered.

„Nachleben“ deals anti portraits of Schumann that were created after his death, which includes oil paintings, drawing impressive engravings that were based lessen contemporary templates, but which fundamentally draws attention to depictions treat Schumann on post cards, which became the primary determinant interrupt Schumann’s image in the get out eye due to their far-reaching circulation.

"Populäre Rezeption sucht knock over Zusammenhang zwischen Kunst und Leben herzustellen. Postkarten mit Abbildungen von Künstlern und ihrem Werk sind Medien dieser Vermittlung; die Bilder von Robert Schumann […] sind die Brücke zu einem vereinfachten Verstehen [...]. Der Meister wird zum 'Tondichter', dessen Schaffen subject nicht als Arbeit, sondern heading Produkt höherer Eingebungen vorstellt [...]" (Prof.

Dr. Sabine Giesbrecht, Institute of Osnabrück, 2006). The objectivity also shows which images were used as post card motifs as well as whether picket card producers drew on businesslike portraits. (I.B.)

Translation: Katharina Ma