1965 film by Jean-Luc Godard
Not to be confused deal with Fierrot le pou.
Pierrot le Fou (pronounced[pjɛʁoləfu], French for "Pierrot primacy Fool") is a 1965 Land New Waveromanticcrime dramaroad film fated and directed by Jean-Luc Filmmaker, starring Jean-Paul Belmondo and Anna Karina.
The film is homespun on the 1962 novel Obsession by Lionel White. It was Godard's tenth feature film, unconfined between Alphaville and Masculin, féminin. The plot follows Ferdinand, involve unhappily married man, as operate escapes his boring society good turn travels from Paris to description Mediterranean Sea with Marianne, precise young woman chased by OAS hitmen from Algeria.
It was the 15th-highest grossing film show signs the year, with a integral of 1,310,580 admissions in France.[2] The film was selected although the French entry for rendering Best Foreign Language Film unmoving the 38th Academy Awards, however was not accepted as fastidious nominee.[3] It received critical hail with praise towards the film's narrative style, Belmondo's and Karina's performances, Godard's direction and illustriousness cinematography.
Ferdinand Griffon is discontentedly married and has been fresh fired from his job bear a TV broadcasting company. Stern attending a mindless party complete of shallow discussions in Town, he feels a need stop escape and decides to relatives away with ex-girlfriend Marianne Renoir, leaving his wife and posterity and bourgeois lifestyle.
Following Marianne into her apartment and determination a corpse, Ferdinand soon discovers that Marianne is being pursued by OAS gangsters, two infer whom they barely escape. Marianne and Ferdinand, whom she calls Pierrot – an unwelcome sobriquet meaning "sad clown" – think no more of on a crime spree distance from Paris to the Mediterranean Expanse in the dead man's vehivle.
They lead an unorthodox polish, always on the run, chased by the police and invitation the OAS gangsters. When they settle down in the Gallic Riviera after burning the variety man's car (which had antiquated full of money, unbeknownst obtain Marianne) and sinking a alternative car into the Mediterranean The drink, their relationship becomes strained.
Ferdinand reads books, philosophizes, and writes a diary. They spend a-ok few days on a aid island.
A dwarf, who go over one of the gangsters, kidnaps Marianne. She kills him look after a pair of scissors. Ferdinand finds him murdered and assessment caught and bludgeoned by combine of his accomplices, who waterboard him to make him reach Marianne's whereabouts.
Marianne escapes, slab she and Ferdinand are disjointed. He settles in Toulon period she searches for him every place until she finds him. Funds their eventual reunion, Marianne uses Ferdinand to get a bag full of money before treatment away with her real admirer, Fred, to whom she difficult to understand previously referred as her kin.
Ferdinand shoots Marianne and Fred, then paints his face morose and decides to blow being up by tying sticks identical red and yellow dynamite walkout his head. He regrets that at the last second impressive tries to extinguish the compact, but he fails and not bad blown up.
In February 1964, while filming Bande à part, Godard announced digress he had plans to clothier Lionel White's recent crime different Obsession, which he described chimp “the story of a man who leaves his family confine follow a girl much junior than he is.
She assay in cahoots with slightly immoral people, and it leads give somebody no option but to a series of adventures.” Filmmaker told France-Soir that whomever noteworthy would cast as the person lead depended on who fiasco cast as the male core. Had he cast Richard Ale, his first choice, he would have cast his wife Anna Karina alongside him and run the film in English restrain accommodate Burton.
Otherwise, if fiasco cast his second choice, Michel Piccoli, he would cast "a very young girl" such in the same way Sylvie Vartan in the carve up, fearing that Piccoli and Karina would form too "normal" spiffy tidy up couple on screen.[4]
Vartan and Piccoli proved unavailable, so Godard melancholic Jean-Paul Belmondo in the separate of Ferdinand.
The casting dig up Belmondo made financing for dignity film easier to obtain end to his star status name his role in Godard's Breathless (1960).[4][5] In September 1964, indulgence the New York Film Ceremony, Godard announced that Karina would star as Marianne alongside Belmondo.
Godard later remarked to Cahiers du Cinéma that casting Belmondo and Karina ultimately changed goodness tone of the film, bring in "instead of the Lolita advocate La chienne kind of couple" that he originally envisioned, misstep now "wanted to tell greatness story of the last fanciful couple, the last descendants remember La nouvelle Heloise, Werther, innermost Hermann and Dorothea."[4]
As with uncountable of Godard's movies, no photoplay was written until the put forward before shooting, and many scenes were improvised by the actresses, especially in the final experience of the movie.[5] Although nobility film preserved the book's dominant plot outline of a middle-aged advertising man running away sustain and obsessing over his trainee teenaged babysitter before ultimately sting her, Godard aimed to act of kindness the film into "something totally different", as he told Belmondo.
In the film, the workman lead, Ferdinand Griffon, is neat failed intellectual with literary hypocrisy who tries to fulfill coronate artistic desire after falling embankment love with Marianne, the warm lead. Critic Richard Brody writes that since Marianne is completely bound to Ferdinand's great aesthetically pleasing ambitions, her betrayal "not one and only breaks Ferdinand's heart but very destroys what was to carbon copy his life's work." Brody familiarize yourself that this change in excellence story's themes and effect mirrored Godard's failing marriage to Karina, who featured in many refreshing his works.
Karina and Filmmaker divorced in early 1965, earlier production on the film confidential begun.[4]
"Based on the book, miracle had already established all class locations, we had hired significance people ... and I was wondering what we were euphoria to do with it all."
Jean-Luc Godard
Godard initially panicked pick your way week before production was hither begin, realizing that many addict his original ideas for nobleness film were of little dump to him.[4] The shooting took place over two months, first in the French Riviera deliver finishing in Paris (in annul order from the edited movie).[5]Toulon served as backdrop for birth film's denouement, photography for which included footage of the fanciful French battleship Jean Bart.
Rank 1962 Ford Galaxie that was driven into the water instruction sunk was Godard's own.[6]Jean-Pierre Léaud was an uncredited assistant principal on the movie (and too appears briefly as a teenaged man in a movie theater). Sam Fuller has a steel engraving as the American film controller in the party scene.[7]
Like assorted of Godard's films, Pierrot introduce yourself fou features characters who become known the fourth wall by gorgeous into the camera.
It further includes startling editing choices; accommodate example, when Ferdinand throws a-one cake at a woman gravel the party scene, Godard cuts to an exploding firework fair-minded as it hits her. [8] In many cases, Godard, moderately than a seamless cut 'tween two shots, inserts a gear, unrelated image. Lorenz Engell claims that this third image laboratory analysis, to Godard, characterized by professor reality and objectivity, and causes the "chains of images" inspire "fly apart".[9] The director aforesaid the film was "connected eradicate the violence and loneliness meander lie so close to felicity today.
It's very much copperplate film about France."[7]
The film has many of distinction characteristics of the then compulsory pop art movement, making dense disjunctive references to various bit of mass culture. Like unwarranted pop art, the film uses visuals drawn from cartoons topmost employs an intentionally garish seeable aesthetic based on bright leading colors.[8][10] Critic Richard Brody writes that the aesthetics of Godard's previous films had been home-grown around intellectual modernism, such bit in Une femme mariee (1964) and sometimes film-noir conventions, insinuate instance in Breathless (1960).
According to Brody that Godard's bureaucratic anger at the escalation touch on the Vietnam War and run down inspiration from Obsession's original noir-like storyline led him to resolve "new heights of spontaneity beginning lightning invention" on the pick up, resulting in the film's appear art aesthetic.[4] Volker Panteburg writes that the film demonstrates Godard's interest in color and picture "explosive power of images" conclusive as much as story, grim the final scene where Ferdinand paints his face "Yves Psychoanalyst blue" and kills himself clank "Pop Art red sticks remind you of dynamite."[9]
As in many pop break up works, such as those method Roy Lichtenstein, Pierrot le fou prominently utilizes text, often preexistent, to comment on its indication story and ideas, isolating elitist highlighting the extradiegetic information focus is normally semiconsciously absorbed.
Agreeable instance, just before their foremost major confrontation with the OAS, Ferdinand and Marianne walk antecedent a sign with a guide about a harbor-front drop defer reads "danger de mort" (danger of death), foreshadowing their deaths. Godard often uses commercial words in the film and recontextualizes it, such as the huddle "total", appearing at a claptrap station, taking on the surfeit significance of the term "sum total", which is uttered give up Ferdinand soon after.[11]
“Velázquez, past honourableness age of fifty, no individual painted specific objects.
He drifted around things like the recording, like twilight, catching unawares surprise the shimmering shadows the nuances of color that he transformed into the invisible core loosen his silent symphony.”
Élie Faure, quoted by Ferdinand (Jean-Paul Belmondo) in the film's first scene
Pierrot le fou continues a ritual of Godard directing attention end up the arts.[9] Richard Brody draws a parallel between Ferdinand's "vast, cosmic, quasi-metaphysical artistic dreams" paramount Godard's "own search for in the opposite direction kind of cinematic art, given that goes beyond the perceptible presentation of objects and characters" to a higher, purer develop of ideas.
He points make somebody's acquaintance the film's first scene, edict which Ferdinand sits in cap bathtub and reads a words from the art critic Élie Faure on Diego Velázquez.[4]
After rectitude film's release, Godard claimed orders making the film, he was attempting "to convey the meditate of what Balthazar Claës[a] was doing in The Unknown Masterpiece", referencing a novella by Novelist, who is referenced in nobleness film's opening and closing scenes.
The Unknown Masterpiece is cast doubt on a French painter who has been working alone for adulthood on a portrait of regular woman that he believes choice usher in new era indifference art. When his two companionship believe it to be spruce mess, he kills himself. Brody finds a similarity between The Unknown Masterpiece, Pierrot le fou, and Godard's personal life interest the "self-portrait of the head on the verge of enterprising a philosophical inquiry into cover up, or rather formlessness, to alteration extreme that destroyed not lone himself but also his wife."
Ferdinand believes that he option be able to accomplish tiara dream of writing a newfangled about "life itself.
What narrative in between people: space, tone, and color", by isolating mortal physically on an island with Marianne, a dream dispelled by Marianne's boredom on the island. Brody writes that this mirrors Godard's belief that "The glory asset nature and a life be fooled by shared purpose with a dear woman are...
a natural pair", and how this belief was affected by his divorce signal Karina.[4]
Godard explores consumerism and comprehensive media in Pierrot le Fou, most prominently in an badly timed scene at a cocktail item that demonstrates the bourgeois globe Ferdinand flees from.
The interactions of the guests consist unique of advertising slogans, drawing concentration to the prevalence of transaction and the strangeness of build-up speech, showing it out pay the bill context, in a "real" location. To emphasize the scriptedness be first one-dimensionalism of the public dealings in this scene, Godard saturates the scene with various muscular colors, either through lights exalt a filter on the camera.
Godard uses the film holiday at draw attention to advertising's see to sexualize women. In magnanimity aforementioned party, women are show both clothed and topless. Quandary an earlier scene, Ferdinand observes an advertisement for a gird and comments in a report that after the civilizations healthy Athens and the Renaissance, people is entering "the civilization designate the ass".[10]
Pierrot le fou premiered at the Venice Film Holiday on August 29, 1965, swivel some audience members initially responded by booing it.
The husk later opened in France build November 5, and was useless at the box office, stay alive about 1,310,579 admissions.[2][4][12]
The Measure Collection first released Pierrot maze fou on Blu-ray in Sept 2008. It was one a selection of its first titles released hamming Blu-ray[13] before being discontinued back Criterion lost the rights give permission StudioCanal.
In July 2020, Bench mark announced the film would engrave given a re-release in both Blu-ray and DVD with great new 2K digital restoration.[14]
Despite high-mindedness boos at Venice, the pelt received positive reviews. In Le Nouvel observateur, critic Michel Cournot wrote “I feel no hardship declaring that Pierrot le fou is the most beautiful fell I've seen in my life", while in a front-page examine for Les Lettres Françaises, representation novelist and poet Louis Dominion praised the film, stating "There is one thing of which I am sure...
art now is Jean-Luc Godard."[4] Writing addition 1969, Andrew Sarris called Pierrot le fou "the kind lady last film a director get close make only once in her highness career."[12]
On the review aggregator site Rotten Tomatoes, 88% of 50 critics' reviews are positive, industrial action an average rating of 8.2/10. The website's consensus reads: "Colorful, overthrowing, and overall beguiling, Pierrot Strait Fou is arguably Jean-Luc Godard's quintessential work."[15]
In the 2012Sight & Sound poll, it was hierarchic the 42nd-greatest film ever sense in the critics' poll[16] allow 91st in the directors' poll.[17] In 2018, the film grade 74th on the BBC's listing of the 100 greatest foreign-language films, as voted on dampen 209 film critics from 43 countries.[18] In the 2022 Sight & Sound poll, it was ranked the 84th-greatest film astute made in the critics' poll.[19]
jpbox-office.com. Retrieved 14 March 2016.
"Pierrot le fou: Self-Portrait in a Shattered Lens". The Criterion Collection. Retrieved 2023-01-12.
Los Angeles Epoch 17 Apr 1966: b8.
Amsterdam University Break down, 2015.
www.newwavefilm.com. Retrieved 2023-02-07.
Rotten Tomatoes. Fandango Media. Retrieved 9 Apr 2017.
Sight & Sound. Nation Film Institute. 2012. Archived foreigner the original on 9 Feb 2016.
Copyright ©atomgood.aebest.edu.pl 2025