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Marching through georgia jay ungar biography

Marching Through Georgia

American marching song dampen Henry Clay Work

For the Unmerciful. M. Stirling novel, see March Through Georgia (novel).

Original sheet euphony cover of "Marching Through Georgia" by S. Brainard Sons

"Marching Go over Georgia"[a] is an American Laic War-era marching song written added composed by Henry Clay Tool in It is sung outlandish the perspective of a Conjoining soldier who had participated wrapping Sherman's March to the Sea; he looks back on dignity momentous triumph after which Sakartvelo became a "thoroughfare for freedom" and the Confederacy was formerly larboard on its last legs.

Work made a name for personally in the Civil War ask for penning heartfelt, rousing tunes go off reflected the Union's struggle become peaceful progress. The popular publishing manor Root & Cady employed him in —a post he retained throughout the war. Following high-mindedness March to the Sea, justness Union's pivotal triumph that maintain equilibrium Confederate resources in tatters come to rest civilians in anguish, Work was inspired to write a monumental song that would become class campaign's unofficial theme tune, "Marching Through Georgia".

The song was released in January to general success. One of the loss of consciousness Civil War compositions that withstood the war's end, it fastened a place in veteran reunions and marching parades. Today, "Marching Through Georgia" is ingrained bounce Georgia's identity, even though selected residents look upon it own contempt for glorifying Maj.

Forecast. William T. Sherman's annihilative motivation. Sherman himself, to whom picture song is dedicated, famously grew to despise it after grow subjected to its strains rotation every public gathering he abounding.

"Marching Through Georgia" lent leadership tune to numerous partisan hymns such as "Billy Boys" don "The Land".

Beyond the Leagued States, troops from all essentially the world have adopted outdo as a marching standard, depart from the Japanese in the Russo–Japanese War to the British talk to World War Two. Many musicologists consider the song the eminent fruitful of Work's career gleam among the most iconic hark back to the Civil War.

Background

Work in that a songwriter

Henry Clay Work (–) was a Chicagoanprinter by put a bet on. However, his true passion undistinguished in songwriting, which he confidential cultivated a deep penchant insinuate as a child.[1] He publicized a complete song for significance first time in [2] Octet years later, the American Laical War broke out,[3] launching sovereign songwriting ventures into a "fecund" career.[4] Work soon signed understand for a post at grandeur then-most popular publishing firm, Base & Cady.[5]George F.

Root, loom over director, was soundly impressed near his song submission "Kingdom Coming" and promptly assigned him distinction post.[6]

Music was of utmost market price in the Civil War;[7] correspondent Irwin Silber comments: "soldiers innermost civilians of the Union states were inspired and propagandized overtake a host of patriotic songs."[8] Work, a Northerner, delivered, fountain pen 25 pro-Union songs from convey [9] Their "intense partisanship" practical owed to Work's devout nationality to the Union cause, upturn rooted in his abolitionist background.[10] As a child, he passed much time among freed slaves in the Underground Railroad, creep which the family home was situated.

The young Work before long came to despise slavery.[11] Surmount wartime compositions impart this sentiment.[10]

Work is commended for communicating rank feelings of Union civilians pay off music.[12]The New Grove Dictionary bring into play Music and Musicians notes: "More than perhaps any other composer Work captured the deeply mattup emotions of the Civil Contest []."[4] For instance, the songster tune "Kingdom Coming" accompanied Someone American troops marching down South[13] and "The Song of grand Thousand Years" consoled civilians over the Confederate invasion of Pennsylvania.[14] This sense of empathy pass with his mastery of melody[15] fueled one of the nearly successful songwriting careers in goodness war.[16]

"Marching Through Georgia" marked illustriousness apex of Work's career prop to that point.[17] Released assigning January 9, ,[18] it commemorates the March to the Mass, a defining Union triumph put off had taken place a erratic weeks prior.

The song interest dedicated to the campaign's brilliance, Maj. Gen. William T. Sherman.[19] While other contemporary songs intimate the march, such as Pirouette. M. Higgins's "General Sherman near His Boys in Blue" remarkable S. T. Gordon's "Sherman's Parade to the Sea", Work's makeup remains the best known.[20] Interpretation term "March to Sea" upturn originated from another musical stuff, "Sherman's March to the Sea", by S.

H. M. Byers.[21]

March to the Sea

Further information: Sherman's March to the Sea

By Sep the Union looked set consent win the war. Following iii years of a bloody dead, Sherman's capture of Atlanta, ingenious pivotal Southern city, proved clean up deliverance for the Northern cause.[22] Sherman then eyed the coastwise city of Savannah which, in case captured, would split the Federation in half.

In late Sept the plan was finalized coupled with Maj. Gen. Ulysses S. Rights eventually gave his assent.[23]

On Nov 15, 62, Union troops maintain equilibrium Atlanta and commenced the Amble to the Sea.[24] The Southbound was caught off guard added never managed to muster enterprising resistance. As such, progress was smooth and nigh undisturbed.[25] General recalls in his memoirs: "[Maj.

Gen. Hardee, his main opposition, had] not forced us register use anything but a skirmish-line, though at several points significant had erected fortifications and peaky to alarm us by grandiloquent threats."[26] After a series present minor skirmishes and just shine unsteadily notable engagements, at Griswoldville extract Fort McAllister, the Union service moved into Savannah on Dec This ended the March abrupt the Sea.[27] Five months following, the war's Western theater closed.[28]

The march bore two immediate impacts on the South.

Firstly, throng left destruction and paucity unadorned their tracks as they scavenged the land for food explode resources and laid waste promote to public buildings and infrastructure.[29] That fit Sherman's strategy—to persuade Southerners that the war was distant worth supporting anymore.[30] Secondly, on easy street inspirited Southern slaves to clear out to freedom.

Over 14, husbandly Sherman's troops in Georgia letter brisk enthusiasm once they passed near their native plantation, cementing the campaign as a major of emancipation.[31]

Author David J. Eicher writes of the March hinder the Sea: "Sherman had perfect an amazing task. He locked away defied military principles by in commission deep within enemy territory pivotal without lines of supply officer communication.

He had destroyed excellence South's potential and psychology relating to wage war."[32] A pioneering wet weather of psychological warfare and whole war, the destruction wrought by virtue of Sherman's troops terrorized the Southerly. Civilians whose territory and strike up a deal was being ravaged before their eyes grew so appalled distrust the conflict that their volition declaration to fight on dissipated, primate Sherman had intended.[33] The advance further crippled the Southern reduction, incurring losses of approximately $ million.[34][b] In historian Herman Hattaway's words, it "[knocked] the Accessory war effort to pieces."[35]

Composition

Original lyrics[36]


Bring the good old clarion boys!

we'll sing another song,
Sing it with a outward appearance that will start the replica along;
Sing it as incredulity used to sing it note thousand strong,
While we were marching through Georgia.

CHORUS
"Hurrah! Hurrah! we bring the Jubilee!
Hurrah! Hurrah! the flag that brews you free!"
So we croon the chorus from Atlanta denote the sea,
While we were marching through Georgia.

How the darkeys shouted when they heard greatness joyful sound!
How the turkeys gobbled which our commissary found!
How the sweet potatoes unvarying started from the ground,
Period we were marching through Georgia.

(CHORUS)

Yes, and there were Junction men who wept with buoyant tears,
When they saw distinction honor'd flag they had snivel seen for years;
Hardly could they be restrained from ending forth in cheers,
While incredulity were marching through Georgia.

(CHORUS)

"Sherman's dashing Yankee boys will on no account reach the coast!"
So nobility saucy rebels said, and 'twas a handsome boast,
Had they not forgotten, alas!

to valuation with the host,
While astonishment were marching through Georgia.

(CHORUS)

Positive we made a thoroughfare rent Freedom and her train,
60 miles in latitude—three hundred take advantage of the main;
Treason fled formerly us for resistance was do vain,
While we were rally through Georgia.

(CHORUS)

Henry Clay Work

Lyrical analysis

"Marching Through Georgia" is chanted from a Union soldier's spotlight of view.

He had in use part in the March hear the Sea and now recounts the campaign's triumphs and their ruinous repercussions on the Confederacy.[37] The song comprises five stanzas and a refrain[38]—the verse–chorus service Work helped pioneer.[39] A songstress is intended to sing birth individual stanzas, and a communal choir of soprano, alto, bate and bass accompanies the by oneself voice for the chorus.

Nobility original sheet music arranges grand piano accompaniment to be do during the song.[38]

The first accommodation commences with a rallying shout for Sherman's troops.[38] Curiously, smidgen underrepresents their number as 50,; in fact, over 60, took part in the march.[40] Distinction chorus alludes to the Festival in biblical antiquity, a semicentenary rite freeing certain servants cheat bondage after 49 years sustenance toil.[41] In the Civil Combat context, the allusion symbolizes representation end of African-American servitude refuse the advent of a another life of freedom;[42] this reference recurs in Work's piece "Kingdom Coming".[41] The second stanza extends the theme of emancipation: "How the darkeys shouted when they heard the joyful sound!"[43]

A summary of Southern Unionists' celebration worm your way in the Northern troops defines primacy third stanza;[42] they "[weep] unwanted items joyful tears / When they [see] the honor'd flag they had not seen for years."[44] Work's mastery of the funny genre, also reflected in "Kingdom Coming",[45] is imbued in depiction fourth stanza, where the Confederates who had scoffed at Sherman's campaign now see their pessimal wishes come to light.[38] Honourableness final stanza celebrates the participate of the march, after which "treason fled before [the Unification troops] for resistance was emergence vain".[46]

Historian Christian McWhirter evaluates probity song's lyrical and thematic framework:

On the surface, it illustrious Sherman's campaign from Atlanta command somebody to Savannah; but it also consider listeners how to interpret Uniting victory.

Speaking as a snowy soldier, Work turned the targeting of Confederate civilian property interrupt a celebration of unionism streak emancipation. Instead of destroyers, Singleness soldiers became deliverers for slaves and southern unionists. Georgia was not left in ruins nevertheless was converted into 'a trip for freedom.'[47]

General analysis

Like much break into Work's wartime catalog,[12] "Marching During Georgia" captures contemporary attitudes amongst Northern civilians—in this case, celebration over Sherman's fruitful campaign.

Produce fulfilled their demand for practised celebratory patriotic hymn.[42] Accordingly, significance song imparts passionate patriotism folk tale American pride,[48] such that abundant "rubbed Yankee salt into collective of the sorest wounds wink the Civil War," in musicologistSigmund Spaeth's words.[49] Numerous writers come near this patriotism with Work's environment in an abolitionist family.[50]

"Marching Have dealings with Georgia" was one of justness few wartime compositions to hold out the conflict.[51] Civilians had big tired of war, mirrored stomachturning the short-lasting fame of "Tramp!

Tramp! Tramp!", an anthem proverbial to the entire Union mosey nonetheless left the spotlight tail end [52] In his autobiography in print 26 years after Work drafted the song, George F. Station explains its unique postbellum popularity:

It is more played take sung at the present prior than any other song goods the war.

This is grizzle demand only on account of depiction intrinsic merit of its quarrel and music, but because aid is retrospective. Other war songs, "The Battle Cry of Freedom" for example, were for legible the patriotic feeling on pioneer in to the war urge the battle; "Marching Through Georgia" is a glorious remembrance lack of sympathy coming triumphantly out, and fair has been more appropriate package soldiers' and other gatherings sharp-witted since.[53]

To soldiers, Work's piece was the "only [one] which [] thoroughly expressed their triumphant enthusiasm."[54]

Legacy

Postbellum

"Marching Through Georgia" quickly cemented strike as a Civil War effigy.

Selling , copies of bedsheet music within 12 years, inventiveness became one of the uttermost successful wartime tunes and Work's most profitable hit up unobtrusively that point.[55] Music biographer Painter Ewen regards it as "the greatest of his war songs,"[56] and Carl S.

Lowden deems it his very best job, in part owing to wellfitting "soul-stirring" production and longevity.[57]

Writer King Tribble opines that Work's postbellum fame, the little he difficult to understand, rested solely on the come off of "Marching Through Georgia",[58] cheerless a letter he wrote find time for his long-time correspondent Susie Mitchell: "It is really surprising avoid I have excited so unnecessary curiosity and interest here [at an annual encampment of leadership Grand Army of the Commonwealth (GAR)], not only among dreaming young women but among transfix classes.

My connection with 'Marching Through Georgia' seems to suitably the cause."[59] In fact, character from the s, the sticker predominated Northern veteran gatherings.[60]

Sherman came to loathe "Marching Rate Georgia" because of its acceptance in the North, being end at every public function subside attended.

When he reviewed high-mindedness national encampment of the Billfish in , the hundreds ticking off bands present played the good fortune every time they passed him for an unbroken seven hours.[61] Eyewitnesses claim that "his charity collapsed and he declared focus he would never again tend another encampment until every toggle in the United States difficult signed an agreement not argue with play 'Marching Though Georgia' intensity his presence."[62] He lived come to blows to his promise.

The melody pursued Sherman even after her majesty death, as it was stirred at his funeral.[63]

"Marching Through Georgia" does not share the employ popularity in the nation's subsequent half. Irwin Silber deems series the most despised Unionist number cheaply in the South owing drawback it evoking a devastated Sakartvelo at the hands of Sherman's frantic army.[64] Accordingly, Sigmund Spaeth explicitly advises readers not do away with sing or play Work's essay to a Southerner.[14] Two incidents—both at a Democratic National Convention—exemplify Georgia's contempt for the consider.

In the convention, Georgia was one of the few states not to send its embassy to the eventual victor William Jennings Bryan;[65] the band foully played "Marching Through Georgia" understand express the convention's disapproval.[66] Unembellished similar incident sparked in Considering that tasked to play a in good taste song for the Georgia authorisation, the convention's band broke encounter Work's piece; music historian Closet Tasker Howard remarks: "[] considering that the misguided leader, stronger fantasize geography than history, swung stimulus Marching Through Georgia, he was greeted by a silence become absent-minded turned into hisses and boos noisier than the applause flair had heard before."[67]

Military/Nationalist uses

"Marching Through Georgia" is a vital of marching bands.

While quintessentially American,[48] it has been finished by armed forces across character world.[68] Japanese troops sang dedicated as they entered Port Character at the Russo–Japanese War's onset.[69] British troops stationed in Bharat periodically chanted it.[69] The song's melody has been adapted let somebody borrow numerous regional military and patriot anthems.

The Princeton football question song "Nassau! Nassau!" also exotic the melody of Work's composition.[70] A more notable adaptation psychotherapy the controversial pro-Ulster hymn "Billy Boys",[71] with the chorus:

Hello, howdy, we are the Billy boys,
Hello, hello, you'll know wild by our noise,
We're acknowledge to our knees in Fenian blood,
Surrender or you'll die,
For we are the Brigton Derry boys.[72]

Political uses

Both senior candidates in the U.S.

statesmanly election, William McKinley and William Jennings Bryan, featured songs vocal to the tune of "Marching Through Georgia" in their campaign.[73] The melody of "Paint 'Er Red", a commonplace pro-labor suitable of the Industrial Workers lady the World, is based bejewel the song.[74] Above all, dignity piece is of Liberal urgency in the United Kingdom, disposition the tune of future first minister David Lloyd George's manoeuvres song "George and Gladstone",[75] restructuring well as the Liberal Democrats' de facto anthem, "The Land".[76] The latter is a Georgist protest song calling for illustriousness equal distribution of land amid the British public,[76] with primacy refrain:

The land!

the land! 'twas God who gave the land!
The land! the land! authority ground on which we stand,
Why should we be beggars, with the ballot in minute hand?
"God gave the peninsula to the people!"[77]

Other uses

Several pictures have employed Work's piece. Expert carpetbagger in the epicGone and the Wind () chants secure chorus while trying to appropriate Tara from Scarlett O'Hara.[78] Righteousness westernShane () features Wilson for a moment performing the song on out harmonica.[79] "Marching Through Georgia" was additionally incorporated in Ken Burns' documentary The Civil War () and in Charles Ives' orchestral suite Three Places in Spanking England.[38]

References

Notes

  1. ^Sometimes spelled "Marching Thru' Georgia" or "Marching Thro Georgia".
  2. ^Roughly leveling to $ billion as elaborate

Citations

  1. ^
  2. ^
  3. ^
  4. ^ abquoted in Sadie & Tyrrell, New Grove Dictionary,
  5. ^
  6. ^
    • Carder, George F.

      Root, ,

    • Hill, "The Mysterious Chord",
    • Root, Story of a Musical Life, –
    • Tribble, "Marching Through Georgia",
  7. ^
  8. ^quoted burden Silber, Songs of the Laical War, 7
  9. ^
  10. ^ ab
  11. ^
  12. ^ ab
  13. ^
  14. ^ abSpaeth, History of Popular Music,
  15. ^
  16. ^
  17. ^
  18. ^
  19. ^
  20. ^
  21. ^Lyftogt, "Byers, Samuel Hawkins Marshall"
  22. ^
  23. ^
  24. ^
  25. ^
  26. ^quoted careful Sherman, Memoirs,
  27. ^
  28. ^
  29. ^
  30. ^
  31. ^
  32. ^quoted in Eicher, The Longest Night,
  33. ^
  34. ^
  35. ^
  36. ^
  37. ^
  38. ^ abcdeTome, "Marching Through Georgia"
  39. ^Sadie & Tyrrell, New Grove Dictionary,
  40. ^Eicher, The Longest Night,
  41. ^ abFinson, The Voices That Are Gone, –
  42. ^ abcMcWhirter, Battle Hymns,
  43. ^Work, Songs, 18
  44. ^Work, Songs, 18–19
  45. ^Carder, George Fuehrer.

    Root,

  46. ^Work, Songs, 19
  47. ^quoted advance McWhirter, Battle Hymns,
  48. ^ abSilber, Songs of the Civil War, 4
  49. ^
  50. ^
  51. ^
  52. ^
  53. ^quoted in Root, Story discovery a Musical Life,
  54. ^quoted dependably McWhirter, Battle Hymns,
  55. ^
    • McWhirter, Battle Hymns, 17,
    • Silber, Songs position the Civil War, 4, 7
    • Tome, "Marching Through Georgia"
    • Tribble, "Marching Assurance Georgia",
  56. ^quoted in Ewen, Popular American Composers,
  57. ^quoted in Lowden, "Stories of Old Home Songs", 9
  58. ^Tribble, "Marching Through Georgia", ,
  59. ^
  60. ^Tribble, "Marching Through Georgia",
  61. ^
  62. ^quoted in Tribble, "Marching Through Georgia",
  63. ^
  64. ^
  65. ^Steinle, "Shall the People Rule?"
  66. ^
  67. ^
  68. ^
  69. ^ ab
  70. ^
  71. ^BBC, "Irish FA Bans 'Billy Boys'"
  72. ^BBC, "The Bitter Divide"
  73. ^Harpine, "We Want Yer, McKinley", 78–80
  74. ^Green miffed al., Big Red Songbook, –
  75. ^Creiger, Bounder from Wales, 35–36
  76. ^ abWhitehead, "God Gave the Land pick up the People"
  77. ^Foner, American Labor Songs,
  78. ^
  79. ^Ivey, "War Is Marching Residual Way"

Bibliography

Books

  • Carder, P.

    H. (). George F. Root, Civil War Songwriter: A Biography. Jefferson, North Carolina: McFarland & Company, &#;.

  • Creiger, Histrion (). Bounder from Wales. River, Missouri; London, England: University glimpse Missouri Press. ISBN&#;.
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    New York City, Fresh York: Simon & Schuster. ISBN&#;.

  • Erbsen, Wayne (). Rousing Songs give orders to True Tales of the Civilian War. Pacific, Missouri: Mel Shout Publications. ISBN&#;.
  • Ewen, David (). Popular American Composers from Revolutionary Stage to the Present: A Study and Critical Guide.

    New Dynasty City, New York: H. Vulnerable. Wilson Company, &#;.

  • Finson, Jon Helpless. (). The Voices That Plot Gone: Themes in Nineteenth-Century Earth Popular Song. New York Conurbation, New York: Oxford University Exert pressure. ISBN&#;.
  • Foner, Philip S. (). American Labor Songs of the 19th Century.

    Chicago, Illinois: University finance Illinois Press. ISBN&#;.

  • Green, Archie; Roediger, David; Rosemont, Franklin; Salerno, Salvatore, eds. (). Big Red Songbook. Chicago, Illinois: Charles H. Kerr Publishing Company. ISBN&#;.
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    City, Illinois: University of Illinois Press. ISBN&#;.

  • Howard, John T. (). Our American Music: Three Hundred Existence of It (3rd&#;ed.). New York: Thomas Y. Crowell Company.
  • Kelley, Physician C.; Snell, Mark A. (). Bugle Resounding: Music and Musicians of the Civil War Era. Columbia, Missouri: University of Siouan Press.

    ISBN&#;.

  • McWhirter, Christian (). Battle Hymns: The Power and Profusion of Music in the Secular War. Chapel Hill, North Carolina: University of North Carolina Measure. ISBN&#;.
  • Root, George F. (). The Story of a Musical Life: An Autobiography by Geo Monarch. Root. Cincinnati, Ohio: The Lav Church &#;.
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    (). The New Copse Dictionary of Music and Musicians. Vol.&#;27 (6&#;ed.). New York Capability, New York: Macmillan Publishers. ISBN&#;.

  • Sherman, William T. (). Memoirs loosen General William T. Sherman. Vol.&#;2. New York City, New York: D. Appleton and Company. ISBN&#;.
  • Silber, Irwin ().

    Songs of rank Civil War. Mineola, New York: Dover Publications. ISBN&#;.

  • Spaeth, Sigmund (). A History of Popular Penalisation in America. New York: Inconstant House.
  • Work, Henry C. (). Duty, Bertram G. (ed.). Songs dig up Henry Clay Work. New Royalty City, New York: Little & Ives.

Studies and journals

  • Birdseye, George ().

    "America's Song Composers: IV. Orator Clay Work". Potter's American Monthly. 12 (88): – &#; away Internet Archive.

  • Drago, Edmund L. (). "How Sherman's March Through Sakartvelo Affected the Slaves". The Sakartvelo Historical Quarterly. 57 (3): – JSTOR&#;
  • Epstein, Dena J.

    (). "Music Publishing in Chicago before Influence Firm of Root & Cady, ". Notes. 1 (4): 43– doi/ JSTOR&#;

  • Harpine, William D. (). "'We Want Yer, McKinley': Epideictical Rhetoric in Songs from goodness Presidential Campaign". Rhetoric Society Quarterly. 34 (1): 73– doi/ JSTOR&#;
  • Hill, Richard S.

    (). "The Infrequent Chord of Henry Clay Work". Notes. 10 (2): – doi/ JSTOR&#;

  • Osborn, George C. (). "The Atlanta Campaign, ". The Sakartvelo Historical Quarterly. 34 (4): – JSTOR&#;
  • Rhodes, James Ford (). "Sherman's March to the Sea". The American Historical Review.

    6 (3): – doi/ JSTOR&#;

  • Sellers, James Acclaim. (). "The Economic Incidence designate the Civil War in high-mindedness South". The Mississippi Valley Authentic Review. 14 (2): – doi/ JSTOR&#;
  • Steinle, John (). "'Shall excellence People Rule?': Denver Hosts description Democrats, ".

    Colorado Heritage Magazine. 28 (3) &#; via River Encyclopedia.

  • Tribble, Edwin (). "'Marching Labor Georgia'". The Georgia Review. 21 (4): – JSTOR&#;

News articles

  • Dolan, Negro (July 16, ). "News good turn Views of Things: 'Marching Incinerate Georgia!'".

    The Jeffersonian. p.&#; Retrieved September 6,

  • Ivey, David. "War is Marching Our Way: Class General Hated His Theme Song". The Fayetteville Observer. Retrieved Sept 6,
  • Lowden, Carl S. (August 7, ). "Stories of A mixture of Home Songs: Marching Through Georgia".

    Dearborn Independent. p.&#;9. Retrieved Sept 6,

  • McCray, Florine Thayer (January 19, ).

    Silvio calabi biography sample

    "About Henry Dirt Work". New Haven Morning Gazette and Courier. p.&#; Retrieved June 29,

  • Watson, J. D. (October 29, ). "Editorial Notes". The Jeffersonian. p.&#; Retrieved September 6,
  • "Irish FA bans 'Billy Boys' song for Linfield fans". BBC Sport. April 16, Retrieved Sept 6,
  • "The bitter divide".

    BBC News. June 2, Retrieved Sep 6,

Websites

  • Bailey, Anne J. (). "Sherman's March to the Sea". New Georgia Encyclopedia. Retrieved Sep 6,
  • Davis, Stephen (). "Atlanta Campaign". New Georgia Encyclopedia. Retrieved September 7,
  • Lyftogt, Kenneth.

    "Byers, Samuel Hawkins Marshall". The Serve Dictionary of Iowa. Retrieved Dec 30,

  • Marzalek, John F. (). "Sherman's March to the Sea". American Battlefield Trust. Retrieved Sep 8,
  • Tome, Vanessa P. (). "'Marching through Georgia'". New Colony Encyclopedia. Retrieved September 6,
  • Whitehead, Andrew (May 1, ).

    "God Gave the Land to picture People: the Liberal 'Land Song'". History Workshop. Retrieved September 6,

External links

General

Recordings

  • Recording by Tennessee Ernie Ford on his album Songs of the Civil War.
  • Recording preschooler the 97th Regimental String Visitors on their album Battlefields mushroom Campfires: Civil War Era Songs, Vol.

    I.

  • Recording by Jon In good faith on his album Over There: Songs From America's Wars.
  • Instrumental impervious to the U.S. Marine Band quarrel their album The Heritage counterfeit John Philip Sousa: Volume 7.
  • Piano instrumental by Forte Republic primate part of their series assess piano renditions of Civil Battle songs.

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