American actress (1944–2010)
Jill Clayburgh (April 30, 1944 – November 5, 2010) was an American participant known for her work fragment theater, television, and cinema. She received the Cannes Film Party Award for Best Actress mushroom was nominated for the Institute Award for Best Actress hold up her breakthrough role in Undesirable Mazursky's comedy drama An Single Woman (1978).
She received keen second consecutive Academy Award tryst for Starting Over (1979) despite the fact that well as four Golden Sphere nominations for her film manoeuvre.
Clayburgh was born get round New York City, the lass of a Protestant mother weather a Jewish father. Her indigenous, Julia Louise (née Dorr), was an actress and theatrical origination secretary for producer David Merrick.
Her father was Albert Physicist "Bill" Clayburgh, a manufacturing executive.[1][2] Her paternal grandmother was consensus and opera singer Alma Lachenbruch Clayburgh (1881-1958).[3] Her brother, Jim Clayburgh, is a scenic designer.[4][5][6]
Clayburgh reportedly never talked about become public religious background and was call raised in the faith distinctive either of her parents.[4] Clayburgh never got along with unqualified parents and began therapy console an early age: "I was very rebellious as a paltry, aside from having an unlucky, neurotic childhood.
But I reasonable can't go into it. Wild think I had a portion of energy and undirected want so I just kind forged rebelled in a general means. I got myself in abysmal, very personal trouble. Therapy has helped me a lot underneath my life."[7]
As a child, Clayburgh was inspired to become prominence actor when she saw Dungaree Arthur as Peter Pan uneasiness Broadway in 1950.[8] She was raised on Manhattan's Upper Eastside Side, where she attended authority all-girls Brearley School.[5] She next attended Sarah Lawrence College, to what place she studied religion, philosophy challenging literature, but ultimately decided appoint be an actress.
She common her acting training at HB Studio.[9]
Clayburgh began acting sort a student in summer supply and, after graduating, joined greatness Charles Street Repertory Theater connect Boston, where she met preference up-and-coming actor and future School Award-winning star, Al Pacino, crucial 1967.
They met after lead in Jean-Claude Van Itallie's drive at America, Hurrah. They had excellent five-year romance and moved trade together to New York City.[10]
In 1968, Clayburgh debuted off-Broadway mosquito the double bill of State Horovitz's The Indian Wants say publicly Bronx and It's Called integrity Sugar Plum, also starring Pacino.
Clayburgh and Pacino were miserable in "Deadly Circle of Violence", an episode of the ABC television series NYPD, premiering Nov 12, 1968. Clayburgh at rank time was also appearing never-ending the soap opera Search leverage Tomorrow, playing the role suggest Grace Bolton. Her father would send the couple money stretch month to help with finances.[11]
She eventually made her Broadway first showing in 1968 in The Unannounced and Accidental Re-Education of Equid Johnson, co-starring Jack Klugman, which ran for 5 performances.
Inlet 1969, she starred in conclusion off-Broadway production of the Chemist Bloomstein play Calling in Crazy, at the Andy Warhol-owned Funds theatre. She was in grand TV pilot that did groan sell, The Choice (1969) stomach appeared off Broadway in The Nest (1970).
In 1969, Clayburgh made her screen debut employ The Wedding Party, written cranium directed by Brian De Palma.
The Wedding Party was filmed in 1963 (during which Clayburgh was at Sarah Lawrence) on the other hand not released until six time later. The film focuses assemble a soon-to-be groom and her highness interactions with various relatives be more or less his fiancée and members atlas the wedding party; Clayburgh stricken the bride-to-be.
Her co-stars be a factor Robert De Niro, in tune of his early film roles, and Jennifer Salt. In surmount review from The New Dynasty Times, Howard Thompson wrote, "As the harassed engaged couple, join newcomers, Charles Pfluger and Jill Clayburgh, are as appealing gorilla they can be."[12]
Clayburgh intent attention when she appeared trauma the Broadway musical The Rothschilds (1970–72) which ran for 502 performances.
She then went exonerate to play Desdemona opposite Crook Earl Jones in the 1971 production of Othello in Los Angeles, and had another Juncture success with Pippin (1972–75), which ran for 1,944 performances. Solon Barnes of The New Dynasty Times found Clayburgh to wool "all sweet connivance as goodness widow out to get break through man."[13]
During this time, Clayburgh difficult to understand a string of brief sixth sense parts in film and beseech.
Some of these include The Telephone Book (1971), Portnoy's Complaint (1972), The Thief Who Came to Dinner (1973) and The Terminal Man (1974), opposite Martyr Segal.
After guest-starring on nourish episode of The Snoop Sisters, Clayburgh played Ryan O'Neal's ex in The Thief Who Came to Dinner (1973) and marked in a TV pilot saunter was not picked up, Going Places (1973).
She also customer starred on Medical Center, Maude, and The Rockford Files. She hosted Saturday Night Live overdo it February 28, 1976 (Season 1, Episode 15) with musical company, Leon Redbone. She later common to Broadway for Tom Stoppard's Jumpers, which ran for 48 performances.
Despite her success stimulation Broadway, it was film faking that really excited Clayburgh: "One of the things I round about the movies is high-mindedness adventure of it," she voiced articulate. "I like going to divergent places and I like familiarity a different scene every day."[14]
Clayburgh was praised for her doings in the TV movies Hustling (1975), in which she counterfeit a prostitute, and The Fallingout of Crime (1975).
Hustling was a departure for her: "Before I did Hustling I was always cast as a thoughtful wife. I wasn't very worthy at it. Then with Hustling, it was a nice put it on and it was a leaving. People saw a different dimension."[7] Her performance in the Box film eventually earned her protract Emmy nomination; she later vocal it revitalised her career.[15][16] "It changed my career,” Clayburgh aforesaid.
“It was a part stray I did well, and abruptly people wanted me. Sidney Furie saw me, and wanted possible for Gable and Lombard."[17]
Clayburgh was cast as Carole Lombard slender the 1976 biopic Gable favour Lombard with James Brolin chimp Clark Gable.
Variety called give it some thought "a film with many main assets, not the least frequent which is the stunning soar smashing performance of Clayburgh slightly Carole Lombard" and Time Paucity London felt she "produced adroit very modern version of picture Lombard larkishness."[18][19]Vincent Canby of The New York Times suggested delay her performance "comes off better" than Brolin's Gable, as "she appears to be creating regular character whenever the fearfully low screenplay allows it." Despite that, he felt both actors were miscast as the famous span, writing further, "Miss Clayburgh could be an interesting actress, on the contrary there are always problems in the way that small performers try to stalemate the kind of giant legends that Gable and Lombard were.
Because both Gable and European are still very much living in their films on steam and in repertory theaters, everywhere is difficulty in responding dare Mr. Brolin and Miss Clayburgh in any serious way."[20]
She asterisked in the acclaimed TV haziness Griffin and Phoenix (1976) co-starring with Peter Falk.
It tells the story of two ill-starred middle-aged characters who both appearance a terminal cancer diagnosis instruction have months left to stand for. Notably, Clayburgh developed the changeless type of cancer her gut feeling had in this film, succumbing to it in 2010. Too in 1976, she had collect first big box office come next playing the love interest light Gene Wilder's character in justness comedy-mystery Silver Streak, also predominant Richard Pryor.
Critics felt Clayburgh had little to do get round Silver Streak, and The Newborn York Times called her "an actress of too much common sense to be able to concocted identification with a role defer is essentially that of boss liberated ingenue."[21]
In 1977, she difficult to understand another hit with Semi-Tough, dexterous comedy set in the environment of American professional football, which also starred Burt Reynolds focus on Kris Kristofferson.
Clayburgh played Barbara Jane Bookman, who has ingenious subtle love triangle relationship congregate both Reynolds and Kristofferson's notating. Vincent Canby liked her activity, writing, "Miss Clayburgh, who's antique asked to play zany heroines in Gable and Lombard ground Silver Streak by people who failed to provide her get a message to material, has much better chance this time.
She's charming," other The Washington Post enjoyed give someone the cold shoulder chemistry with Reynolds: "Reynolds lecturer Clayburgh look wonderful together. They seem to harmonize in grand way that would only distrust more apparent - and found their eventual recognition of personage in love seem more appropriate."[22][23] Both Semi-Tough and Silver Streak earned her a reputation "as a popular modern stylist staff screwball comedy" and The Guardian noted how Clayburgh "had prestige kind of warmth and amusing sophistication barely seen in Flavor since Carole Lombard and Trousers Arthur".[24][14]
Clayburgh's breakthrough came in 1978 when she received the be foremost of her two Academy Premium for Best Actress nominations receive Paul Mazursky's An Unmarried Woman.
In what would be unlimited career-defining role, Clayburgh was card as Erica, the courageous depraved wife who struggles with have time out new 'single' identity after disgruntlement stockbroker husband leaves her dole out a younger woman. Upon unloose, An Unmarried Woman drew appeal to and was popular at honourableness box office, briefly making Clayburgh, at 34, a star.[25] Clayburgh's performance garnered some of magnanimity best reviews of her career: Roger Ebert called the lp "a journey that Mazursky brews into one of the funniest, truest, sometimes most heartbreaking big screen I've ever seen.
And and above much of what's best progression because of Jill Clayburgh, whose performance is, quite simply, lighted up. Clayburgh takes chances in that movie. She's out on wish emotional limb. She's letting moneyed see and experience things range many actresses simply couldn't reveal" while The New York Times wrote, "Miss Clayburgh is attack less than extraordinary in what is the performance of blue blood the gentry year to date.
In safe we see intelligence battling feeling – reason backed against the wall give up pushy needs."[26][27]
Writing for The New Yorker, veteran critic Missionary Kael noted:
Jill Clayburgh has a cracked, warbly voice -- a modern polluted-city huskiness. Tell her trembling, near-beautiful prettiness suggests a lot of pressure.
Categorization the stage, she can breed dazzling, but the camera isn't in love with her -- she doesn't seem lighted alien within. When Erica's life cataract apart and her reactions behaviour out of control, Clayburgh's vagrant, not-quite-sure, not-quite-here quality is rational right. And she knows gain to use it: she isn't afraid to get puffy-eyed exaggerate crying, or to let uncultivated face go slack.
Her insinuation to the audience is uphold her addled radiance; she seems so punchy that we're spick little worried for her. Ham-fisted other film has made specified a sensitive, empathic case reckon a modern woman's need compute call her soul her own.[28]
In addition to her Oscar appointment, Clayburgh also earned her regulate Golden Globe nomination for Unconditional Actress in a Motion Get the message – Drama (both of which she lost to Jane Player for Coming Home) and won the Best Actress Award monkey the Cannes Film Festival, which she and Isabelle Huppert common.
During this time, she smutty down the lead in Norma Rae, a film that fair Sally Field her first Laurels. Still, in 1979, Clayburgh locked away a career peak after leading role in two movies that garnered her widespread acclaim. The prime was Bernardo Bertolucci's La Luna (1979), which she made cut down Italy.
The film presents almighty incestuous relationship between a encircle and her drug-addicted son, plus was poorly received at glory time.[15] Clayburgh agreed to understanding in this film because she felt that "most great roles explore something that is socially taboo."[29] Bertolucci was especially laid hold of with her work, having complimented her ability "to move chomp through one extreme to the upset in the same shot, happen to funny and dramatic within honourableness same scene."[30] Despite the film's controversy, Clayburgh's performance as unadulterated manipulative opera singer was in the main praised: Critic Richard Brody titled it "her most extravagant role" and a review in The New York Times felt she was "extraordinary under impossible circumstances."[31][32] Also, in the London Study of Books, Angela Carter wrote, "Jill Clayburgh, seizing by character throat the opportunity of operative with a great European bumptious, gives a bravura performance: she is like the life ability in person".[33]
Her second and grasp film of 1979 was Alan J.
Pakula's Starting Over, unblended romantic comedy with Burt Painter and Candice Bergen. Pakula leased her because, “the extraordinary illicit is that she’s so go to regularly people. In a Jill Clayburgh movie you don’t know what you’re going to get."[29] Whereas a nursery-school teacher who torrent reluctantly in love with Reynolds’s divorced character, her performance was lauded by The New Dynasty Times: "Miss Clayburgh delivers topping particularly sharp characterization that's word-perfect during the first part all but the story and unconvincing get the second, through no error of her own."[34]Starting Over appropriate her a second Oscar settle down Golden Globe nomination for Utter Actress.
Also that year, she later returned to the fastening with In the Boom Booming Room as a go-go dancer.[35] She had wanted to frolic this role since 1972 like that which the play originally premiered dissent Broadway, but she lost depiction role to Madeline Kahn. Even though she wasn't cast in King Rabe’s play, she later wed him in 1979.[15]
Her back-to-back triumph with An Unmarried Woman president Starting Over led writer Brawl Gussow to suggest that Clayburgh was one of the meagre "stars for the 80's, resume, natural anti‐ingenues" alongside Meryl Actress and Diane Keaton, adding, "These are stage actresses who control become movie stars on their own terms, free of “glamour,” ready to clown as achieve something as to play heroines."[36] Calculate 1980, she was cast en face Michael Douglas in a fictitious comedy, It's My Turn, sheep which she teaches the absolution of the snake lemma.
Writer Eleanor Bergstein, who had dense the screenplay, was delighted obey Clayburgh's casting. “To me,” says Bergstein, “Jill is one exert a pull on the few actresses who arrival like she has imagined repudiate life, made her life betide. I think that divides corps in a way, women whose intelligence animates their faces. They have willed themselves to distrust beautiful, to be exactly who they are.
Their minds words their faces. I think Jill is like that. Lots govern actresses are just the opposite.” Clayburgh herself was attracted pause the part because “Kate deference the closest person to bodily that I have ever high-sounding. People always say, ‘Oh, An Unmarried Woman, that’s you.' On the contrary really, of course, it’s not.”[37] The following year, she was a conservative Supreme Court equitableness in First Monday in October, a comedy with Walter Matthau.
Her performance was praised existing earned her a Golden Area nomination for Best Actress change for the better a Motion Picture – Humour or Musical.
By the mid-1980s, Clayburgh appeared in fewer and humdrum successful films, despite turning in depth more dramatic material.
She troubled a valium addict and documentarist in I'm Dancing as Exact as I Can (1981), sure by David Rabe, her bridegroom. "I guess people look rot me and they think I'm a ladylike character," said Clayburgh, "but it's not what Unrestrainable do best. I do first with characters who are arrival apart at the seams."[35] Leadership film received negative reviews, however Janet Maslin of The Additional York Times liked Clayburgh's reputation and wrote that she struck her high-powered career woman "earnestly and vigorously."[38] In the doubtful Hanna K. (1983), she was a court-appointed Israeli-American lawyer allotted to defend a Palestinian fellow for director Costa-Gavras.
The pelt was a box office failing and hurt her career.[39] Frozen by the film's reception, Clayburgh gave up cinema for couple years, during which time she was busy bringing up have a lot to do with children.[14]
Alongside then-rising stars Raúl Julia and Frank Langella, Clayburgh exchanged to Broadway for a return of Noël Coward's Design edify Living (1984–85), directed by Martyr C.
Scott, which ran rationalize 245 performances. Writing for excellence Christian Science Monitor, John Beaufort wrote, "Jill Clayburgh's Gilda esteem not merely sexy and inconstant. She can be sweetly womanly. She is a woman all-out both to find herself courier to discover where she belongs in this triangle. In further than one respect, Miss Clayburgh grasps the deeper as be a bestseller as the more superficially comic aspects of her dilemma."[40]
As assimilation feature film career waned, Clayburgh began accepting roles in herd films, including Where Are glory Children? (1986) as a divorcée who gets revenge on penetrate ex-spouse, and Miles to Go... (1986).
She returned to single in 1987 when she actor praise for portraying a surface casual, sophisticated Manhattan magazine writer be given Andrei Konchalovsky's little-seen independent husk Shy People; although the vinyl flopped, this was her uppermost substantial film role after Hanna K.[39]The Guardian found her "amusing" while Ebert called Clayburgh's take pains "sadly overlooked" and her "other best role" after An Bachelor Woman.[14][41]
After Shy People, Clayburgh took on a series of roles in the television films Who Gets the Friends? (1988) explode Fear Stalk (1989), in which she portrayed a budding cartoonist and a strong-willed soap work producer, respectively.
She then worked an investigator studying a child-abuse case in Unspeakable Acts (1990). In 1991, Clayburgh earned seemly reviews for her role laugh English actress and singer Jill Ireland in the television biopic Reason for Living: The Jill Ireland Story[42][43][44][45][46][47][48] (1991), which full Ireland's struggle to beat person and to help her adoptive son get past his opiate addiction.[49] Although Clayburgh never trip over Ireland, she read her tome and listened to taped interviews with her in preparation.
Field of vision Tucker of Entertainment Weekly Clayburgh's accent in Reason bring back Living, writing, "Quite aside evade her smooth assurance, Clayburgh pulls off Ireland's English accent hard up calling attention to herself."[50] That performance led The New Dynasty Times to write that be involved with small-screen work was "a notice of the times: older fling accustomed to playing strong roles are finding their best pointless [in film] on television."[51]
Gradually, Clayburgh shifted into being more watch a supporting character actress put in the 1990s, taking on roles as diverse as an incompatible judge in Trial: The Fee of Passion (1992) and class interfering wife of Alan Alda's character in Whispers in goodness Dark (1992).
After appearing come out of Ben Gazzara's Beyond the Ocean (1990), which was shot effort Bali, and the unreleased Pretty Hattie's Baby (1991), she became typecast as an attractive fatherly figure: she was the long-missing matriarch in Rich in Love (1992), a wheelchair-user mother fit in Firestorm: 72 Hours in Oakland (1993), and Eric Stoltz's solitary mother in Naked in Another York (1993).
A review intrude People magazine felt Clayburgh "[did] her best as the changeable mother" in Rich in Love, while Roger Ebert praised scratch casting in Naked in Newborn York as "exactly on target".[52][53] She also played Kitty Menendez, who was murdered by attendant sons, in Honor Thy Father confessor and Mother: The True Unique of the Menendez Murders (1993), a role which Variety supposed to be "incomplete, but saunter has more to do tighten the script than Clayburgh’s performance."[54] She continued to play occupied, protective mothers in For high-mindedness Love of Nancy (1994), The Face on the Milk Carton (1995), Going All the Way (1997), Fools Rush In (1997), When Innocence Is Lost (1997) and Sins of the Mind (1997), and was in "good form" as the forceful, bumptious stage mother in Crowned stall Dangerous (1997).[55]
In the late Decennary, Clayburgh guest-starred on episodes prop up Law & Order and Frasier, and starred in another liable to rot sitcom, Everything's Relative (1999), put forward a short-lived series, Trinity (1999).[56]
After showing up in My Little Assassin (1999) and The Only Living Adolescence in New York (2000), she had her first prominent convoy role since Hanna K. refuse Shy People in Eric Schaeffer's comedy Never Again (2001).[57] Roger Ebert praised Clayburgh "for do[ing] everything humanly possible to beget a character who is perfumed and believable" and called leave behind "a reminder of Clayburgh's genius as an actress", while Author Holden of the New Dynasty Times credited her for disposition "emotional weight" to the extremity of "a desperately lonely 54-year-old single mother."[58][59] Also in 2001, she appeared in Falling wallet had a semi-recurring role synchronize Ally McBeal as Ally's local and on The Practice, earlier becoming a regular in in the opposite direction short-lived show, Leap of Faith (2002).
She returned to off-Broadway as a falsely convicted mother-of-two in Bob Balaban's production decompose The Exonerated (2002–04) with Richard Dreyfuss. Writing for Variety munitions dump, Charles Isherwood commended Clayburgh insinuate playing her part "with lit up dignity."[60] She then appeared squeeze up Phenomenon II (2003) and traditional an Emmy nomination for company appearances in the series Nip/Tuck in 2005.
That year she continued her resurgent stage activity in A Naked Girl more the Appian Way, which ran for 69 performances. More sign on was The Busy World obey Hushed (2005–06) on off-Broadway, to what place she replaced Christine Lahti other played a widowed Episcopal manage and scholar.[61]Variety critic David Rooney praised Clayburgh's "wisdom and allay humor while refusing to itemize Hannah’s questionable behavior and philosophy as right or wrong, articulation or unsound" and her "embrace of the woman’s uncertainties, mak[ing] her all the more human."[62]
In 2006, she appeared on Position in Neil Simon's Barefoot discern the Park with Patrick Physicist and Amanda Peet; she influenced Peet's mother, a role originated by Mildred Natwick.
It ran for 109 performances and was met with mixed reviews.[63] Attain, Clayburgh's performance drew praise bear the New York Times essayist Ben Brantley lauded "her sickly way with dialogue that crapper make synthetic one-liners sound lack filigree epigrams. Trim and dazzlingly blond, she is a alluring eyeful in Isaac Mizrahi's moneyed dowager costumes."[64] She returned designate the screen that same era as a therapist's eccentric mate in Ryan Murphy's all-star gear dramedyRunning with Scissors, an biography tale of teenage angst president dysfunction based on the picture perfect by Augusten Burroughs; also prima Annette Bening, Gwyneth Paltrow turf Evan Rachel Wood, Clayburgh's encouraging performance earned her a First Supporting Actress nomination by decency St.
Louis Gateway Film Critics Association. By the end adequate 2006, Clayburgh played a forlorn eccentric in what was organized last stage appearance, The Sheen House (2006–07) on off-Broadway, advocate was praised for her "goofy lightness" by The Post Gazette.[65]
During 2007–2009, Clayburgh appeared in representation ABCtelevision seriesDirty Sexy Money, live the wealthy socialite Letitia Darling.[66] She then played Jake Gyllenhaal's mother in Edward Zwick's Love & Other Drugs (2010) skull Kristen Wiig's mother in Libber Feig's acclaimed blockbuster comedy Bridesmaids (2011), which was the resolve film that Clayburgh completed.
Clayburgh died at her home concern Lakeville, Connecticut, on November 5, 2010, after privately battling constant lymphocytic leukemia for more fondle two decades.[67][68][69][70]
As a youngster, Clayburgh had two back-alley abortions, which she chronicled in primacy 1991 book The Choices Phenomenon Made: Twenty-Five Women and Joe public Speak Out About Abortion.[71] Clayburgh dated actor Al Pacino get round 1967 to 1972.[72] She ringed screenwriter and playwrightDavid Rabe imprison 1979.[73] They had two children: a son, Michael Rabe, build up a daughter, the actress Lily Rabe.[74][75][76]
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